Starley’s path to platinum status has been filled with starts and stops. After years spent trying to launch her career in her hometown of Sydney, Australia, and later in London and the United States, the popstar hopeful grew depressed. Her anxieties heightened. She was ready to quit. But before she decided to shift her focus onto her next passion – fitness – she made one final attempt at music.
Telling herself that God works in mysterious ways but to remain faithful in his process, Starley penned the personal salve, “Call on Me”. The song caught the attention of Australia’s Central Station Records. Since then, everything changed for Starley. Central Station’s subsidiary, Tinted Records, released “Call on Me” as her debut single last July. Epic Records re-released the track later in October. To date, the song has peaked at number 70 on the Billboard Hot 100, and its remixed version by Aussie producer Ryan Riback has garnered over 338 million Spotify streams.
Starley is currently touring North America for the first time supporting British electronic group Clean Bandit. Georgie got some time with the budding singer to talk about her mainstream ascent, dealing with mental health, and the importance of fitness in her life.
Georgie—I find it interesting that you would have pursued fitness if music hadn’t worked out. For many people, fitness comes with its own set of anxieties. Do you ever get anxious about health or appearance the same way you do with performing? Do you believe that taking care of your body is essential for taking care of your mind?
Starley—I think a lot of performers and artists in general, we naturally have a tendency to be insecure. But I do realize that I’m on the same playing field with everyone else, and everybody feels the same way. Everybody feels anxious sometimes. Do I believe that taking care of my body is essential for my mind? I definitely do. I think that it goes hand in hand. Good eating and working out on a regular basis are super important to keeping fit and also to keeping my mind in a healthy space.
G—Did keeping fit help you push through your depression about your career not working out the way you’d hoped?
S—When I was living in London, the weather’s quite terrible. It’s usually overcast all the time. It did get me down because a lot of the time, I missed my family, the sun would never be shining, and I was quite lonely in London. And then my music wasn’t really working out for me…. During that time, I didn’t listen to any music.… I really hated music at that point. I was depressed. I didn’t want it to be in my face so much, so I worked out to sort of get away from the music scene. [Working out] definitely was a way for me to push through and try to do something positive for myself instead of wallowing away in my sorrows.
G—Fitness is very ritualized with practices and regimens you have to stick with every day. Do you have any mantras or rituals that help you push through anxieties related to performing, touring, or your career in general?
S—Before I have anything super important, I always pray. I think praying is really good. It’s really soothing. It helps me feel connected spiritually, and that keeps me grounded.… And then right before I go on stage, I do a whole bunch of push-ups, and I’ve been getting my band in on that as well. We do sit-ups and push-ups before we jump on stage, and I think that’s a good way to kick out the nerves and just get ready to go.
G—You’ve been making the media rounds with interviews and performances on radio and television. How have you been coping with this new whirlwind of activity?
S—At first, it was really overwhelming ‘cause I’m not used to this amount of attention, and I’m a pretty quiet, private person normally. But I come from a really big family. There’s five kids in my family, and I’m used to talking and having a laugh. It’s kind of just a little bit of adjustment that I’ve had to make with my daily routine, and it is quite intense, but I’ve slowly been getting used to it, so it’s all good. I’m really happy that people want to see me and that they’re so excited about the song that I get to go and do those interviews and let people know a bit more about me. It’s really cool to have those opportunities, so I’m grateful.
G—Have you been to Canada or the United States before? Where else has this tour taken you that you haven’t been before?
S—So far, I’ve basically just done the rounds in Australia and the United States and Canada. I’ve only been to Toronto in Canada. We did some really good rounds there. We went to a lot of radio stations. We did some TV as well. In the United States, I did The Today Show, Good Morning America, and lots of radio. It’s been great. I currently live in the United States. I’m looking forward to getting out to Europe because there’s a lot of fans out there. We’ve gone gold in a lot of those places – like France, Sweden, and Germany – so I’m looking forward to getting out there and seeing those people and the fans and actually singing to them.
G—Has anything on this tour surprised you? Fan reactions, certain cities you’ve visited?
S—To date, the most exciting thing I’ve had happen is when we were doing The Today Show, and we had a competition where some fans could hashtag the show and get in to watch me sing “Call on Me” live. It was really beautiful just to see how excited they were, and it was really the first time that I had fans in front of me like that, who were really just there for me. And that was really special.
G—You like to throw yourself into scary situations as a form of personal development. What’s the most rewarding risk you’ve taken?
S—Moving [to London] when I had no real connections there, and no family, and not much money, but just moving there because I had a dream was the biggest risk I’ve ever taken in my life. I was there for a long time. It wasn’t like I was just there for six months…. [G]oing through everything that I went through over there is really what makes me who I am today. I couldn’t be more grateful for having those ups and downs over there.… [R]isk-taking is part of the nectar of life. Really, I think it’s super important to take risks when you believe in something.
Morgan Saint was born into a creative life. Upon growing up in Mattituck, NY with a family of musicians on her mother’s side and parents who worked in interior design, Saint graduated from Parsons School of Design in Manhattan, where she has lived for the past six years. With a major in illustration and a focus on photography and graphic design, Saint has executed a clear vision of her musical artistry. In 2017, at the age of 23, Saint released her debut EP, 17 Hero, on Epic Records. She is a storyteller at heart, combining all of her talents to reveal her narrative as truthfully as possible, one vignette at a time, as seen in all three of the EP’s videos, “Glass House”, “You”, and “Just Friends”. She co-produced each glossy, beautifully choreographed, and high-definition clip with Nathan Crooker, but the lyrics are all hers. They come from personal places yet are vague enough to be relatable. Her electronic pop is lo-fi, but you’ll most likely find yourself snapping your fingers to it. As Saint prepared for a sold-out show supporting Missio in Austin, Texas, Georgie connected with her to discuss coming into her own as a songwriter and
Listening to any track on EDEN’s debut album, vertigo, is like visiting your favourite city for the fiftieth time except nothing is quite where you remember it. The hotel is on the river, not by the park, and city hall is upside down. The Dublin-raised singer/songwriter/producer who began his career as The Eden Project, melted the best of indie, hip hop, and electronica into 13 deconstructed tracks for vertigo. Following two successful EPs, a shout-out from Lorde, and mid-way through the vertigo world tour, we caught up with EDEN to talk about his new record, and the musical evolution that brought him to it. G—From The Eden Project to the EPs to vertigo, you’ve had some pretty big changes in style. Does it feel that way to you or does it just kind of feel like you’re constantly evolving? E—I definitely see that. There are similarities [between I think you think too much of me and vertigo]—my voice still sounds the same (laughs) and there are various instruments that I just like using—but it’s about progression for me. I could never be someone to make End Credits 2 or something like that. It’s not interesting to me to stay
In the ten years since Swedish sisters Klara and Johanna Söderberg started First Aid Kit, they have been going non-stop. The indie-folk duo got their start when their cover of Fleet Foxes’ “Tiger Mountain Peasant Song” went viral, and have since released four albums, won five Swedish Grammis awards, and brought two of their idols to tears on live television. Following a brief hiatus, and four years after their last record, Stay Gold, First Aid Kit is back with Ruins, a raw account of losing love and finding yourself. In the middle of a North American tour, Georgie talked to Klara and Johanna about the new album and what brought them to Ruins. G—You’ve said in past interviews that Stay Gold was a more put-together, polished kind of album, and Ruins is a lot rawer. What caused that shift? JS—The production of Stay Gold is very lush and elegant, and I think that’s what we wanted at the time. But we started longing for this rawness, this almost lo-fi aspect that we had on our first records. [For Ruins]…our attitude was that everything doesn’t have to be perfect. If we sing a bum note or there’s a little crack