Jacket – Mary Katrantzou Pants – Daniel Patrick Earring – Cuchara
Morgan Saint was born into a creative life. Upon growing up in Mattituck, NY with a family of musicians on her mother’s side and parents who worked in interior design, Saint graduated from Parsons School of Design in Manhattan, where she has lived for the past six years. With a major in illustration and a focus on photography and graphic design, Saint has executed a clear vision of her musical artistry.
In 2017, at the age of 23, Saint released her debut EP, 17 Hero, on Epic Records. She is a storyteller at heart, combining all of her talents to reveal her narrative as truthfully as possible, one vignette at a time, as seen in all three of the EP’s videos, “Glass House”, “You”, and “Just Friends”. She co-produced each glossy, beautifully choreographed, and high-definition clip with Nathan Crooker, but the lyrics are all hers. They come from personal places yet are vague enough to be relatable. Her electronic pop is lo-fi, but you’ll most likely find yourself snapping your fingers to it.
As Saint prepared for a sold-out show supporting Missio in Austin, Texas, Georgie connected with her to discuss coming into her own as a songwriter and person, developing confidence along with finding inner peace, the significance of the number 17, and moving on from the past.
G—Did you begin making music yourself before you started pursuing illustration, photography and graphic design?
Morgan Saint—I started taking piano lessons when I was eight. I’m like a typical Aries, and I have no patience when it comes to learning new things. I just want to be good at something immediately. So when I sat down to practice, I would never end up practicing what I was supposed to, and I’d end up making my own music. I think that’s what led me to songwriting without even knowing it. And then, as I got older and I had more to say, I did a lot of writing lyrically, or more poetically, I guess, and then I paired what I was writing with the music that I was making on the piano. Through high school, I was writing music and pursuing it on the side but not as seriously because I think the music thing seemed a little farfetched for me, so I focused my interest more so on the visual arts. But once I graduated college was when I really was going through a transitional time … I just ended up focusing my energy on music sort of to get me through that time.
G–You’ve mentioned making a major self-discovery a year ago. Is that something you’re able to discuss?
MS—It’s not really anything specific. In the last few years, I’ve just really spent a lot of time with myself and tried to understand myself, as cliché as that may sound. It’s really a matter of just finding an inner peace and confidence that I think is hard when you’re in high school and surrounded by your peers. I’ve always felt like I was a little bit different in the sense of how I thought and saw things in the world, and I think you can easily feel like an outsider or a little bit lonely in that sense. It’s just been a matter of learning to love myself, as silly as that sounds. In doing that and finding that inner peace I think comes just so much natural confidence to do the things that you want to do. I think half of the reason I’m doing what I’m doing now is just because I took the time to figure myself out.
G—And the lucky number 17? How long have you considered that your lucky number?
MS—I think since high school. One, it oddly pops up in my life literally everywhere. I have met so many people along my life journey – my short life journey – that I’ve become really close to and find out that their lucky number is 17 for whatever reason. So it’s kind of a weird way that I feel connected to some people that are really close to me. In addition to that, two important people in my life who’ve passed away have birthdays on the 17th. I’m not religious at all, but I’m really into energy and spirituality and symbols. I’m sort of fascinated by numerology, and it’s shown itself a lot in my life.
G—It sounds like over the last few years, coming into your own and discovering who you are, you’re a pretty confident person. Is that accurate to say?
MS—When it comes to my vision and the story that I’m trying to tell and the authenticity behind it, that’s an area in my life where I’m very confident … I’m very specific and very hands-on in making sure everything is exactly accurate to the story I’m trying to tell. I want everything to feel as raw and honest as possible, and I feel like if I’m involved in doing everything, that’s the only way it can be communicated that clearly.
G—You also had no background in dance before you made that video for “You”. Did making it make you want to learn how to dance? You do so many different types of arts but not dance.
MS—The way I move in that video is completely not the way I move onstage. That was just fascinating. [Laughs] I don’t really consider it to be dancing as much as it was just interpretive abstract movement, but I mean, I love body movement, and I think it’s something that I really have come into my own onstage; my movements and my energy reflect the music I’m performing. It all comes together. But no, I’ve never had any dance lessons. It’s something that I would love to pursue one day. It’s on my list of things.
G—Finally, I want to ask about the video for “Glass House”. This is you symbolically setting fire to your past, letting it go. It’s a very strong statement about your personal growth. Has letting go of your past helped you be less sentimental about things now?
MS—There are always gonna be things that happen in your life that you need to come to terms with and let go of in order to move forward and be happy. I think that’s always the biggest challenge in life. And it takes effort. I’m an emotional person, so taking the time and energy to figure out a way to move past things that have happened in order to move towards brighter days is important and something that I strive to do.
The meaning of Jazz Cartier’s Fleurever is rooted in duality. In the two years since his sophomore mixtape, Hotel Paranoia, the artist has had to “[battle] the balances of love and money, risks and rewards, right and wrong, or living and dying”, alongside coming to terms with the throes of wealth and fame. Subsequently Fleurever—or, as he calls it, his “third project”—explores Cartier’s personal growth in the years following. With his newfound maturity in tow, Toronto’s rising rap star is on course to start a music revolution—well, that’s the idea anyway. Georgie caught up with Cartier to talk about gratitude, the rapper’s personal transformation, and the driving force behind Fleurever. G—Can you tell us a bit about your latest album Fleurever and the inspiration behind it? JC—Most of the inspiration came from growth, and a bit from my departure from Toronto. A lot of the record was made in my last days in Toronto, and just having that cloud over my head and knowing that I’d be leaving soon—it was more so showing my affection for the city that pretty much shaped my sound. G—Did you have a vision in mind when you started writing this album? JC—For the most part Fleurever is just myself and my
When asked to describe herself in three words, Nina Nesbitt didn’t hesitate. “Introverted, creative, and driven”. While you wouldn’t guess the former from her edgy, empowering tracks—her latest single “Loyal To Me” is a girl-power anthem, rallying women to ditch their unfaithful partners—the latter two can’t be questioned. In the six years since she was discovered in an unplanned encounter with Ed Sheeran, Nesbitt has released three EPs and one full length album; toured with Sheeran, Justin Bieber, and U.K rapper Example; and carved her way into the alt-pop scene with a harmonious blend of groove and grit. Earlier this year, the Edinborough-native was one of three emerging female artists chosen to partake in Spotify’s “Louder Together” initiative, recording the first collaborative Spotify single (“Psychopath”) with Sasha Sloan and Charlotte Lawrence, and showcasing her signature style of thoughtful messages pulsating atop hook-driven melodies. With her sophomore album ready to drop, Georgie spoke with Nesbitt about her experience being thrust into the spotlight and maintaining her creative independence throughout it all. G—You’ve been touring a lot this year, specifically in North America. How have your North American audiences been receiving your shows? Is it different than performing for UK audiences?
Named for the Toronto area they grew up in, The Beaches are a far cry from a placid day on the lake. Led by singer/bassist Jordan Miller—with her sister and guitarist Kylie Miller, guitarist/keyboardist Leandra Earl and drummer Eliza Enman-McDaniel—the Canadian four-piece burst out of Toronto with their 2018 debut, Late Show, and have since built up an aura of dissident swagger. Taking home this year’s Juno for Breakthrough Group of the Year, the all-fem rock quartet is bringing grunge, gloss, and 70s glamour to a predominantly male genre. Georgie caught up with Leandra to talk about the band’s latest music video, taking charge of their music, and three simple ways to keep women in the industry. G—Did you grow up together in Toronto? LE—Yeah, I met the girls in high school. Jordan and Kylie are sisters, so they’ve known each other a bit longer, but they grew up with Eliza in Toronto’s Beaches area. G—What kind of music were you listening to at that time? LE—We grew up listening to all of the music our parents listened to. That definitely influenced us while writing our debut album since we drew from a lot of the 70’s music that our