Clemens Rehbein and Philipp Dausch first met in the 11th grade, when they started performing together in a jazz quartet known as the Flown Tones. Although the band later disbanded, Rehbein and Dausch stuck together, and the pair went on to experiment with folk, reggae and electronica sound combinations. Eventually, this led to the formation of Milky Chance and the 2014 release of their debut album, Sadnessecary, which later went on to become a multi-platinum success.
Now, three and a half years later, Milky Chance is ready to embark on a new adventure with the release of Blossom. The album’s first single, “Cocoon”, continues to climb the charts as the Blossom Tour makes its way across North America.
Lead vocalist Rehbein spoke to Georgie about touring, writing and how being close friends with Dausch has benefited the band.
G—It’s been about 3 ½ years since the release of Sadnecessary. How has your approach changed between your first and second albums?
Clemens Rehbein—I wouldn’t say it’s changed in the way I write songs, but rather how we’ve developed as musicians. The songs are made of the same foundation, but they’re influenced by our experiences on the road and playing on stage.
G—Was it those experiences that inspired you when writing Blossom?
CR—All the songs are about things we’ve experienced these last few years. Life in general gives you so much to think about and take in—from the very particular and unusual, to normal stuff that happens every day. It’s about being in the moment…like taking a walk in a city you’ve never been to before and looking at the scenery around you. Something as simple as that can lead you to write a great song.
G—What helped you set the tone for this album?
CR—We knew being in our comfort zone was important to us, which is why we came back home to start recording the songs for the album. It was just the two of us in this small, intimate environment we were familiar with. We were in completely in our element.
G—What do you think you write about the most in your songs?
CR—It depends on the song. There’s a lot of songs about self-discovery and self-reflection—connecting to your inner voice and emotions—the deep stuff from within. But there are other songs that were written for people who are really important to me, where I’m speaking to them through the lyrics.
G—How much is the writing and producing a collective effort, and how much of it is each of you on your own?
CR—I do the songwriting, and Philipp and I produce together. When I finish the songs, we’ll meet in the studio and start working on them together. From there, it’s just a ping pong of ideas between us. That’s how we’ve always worked, and probably always will. It’s just easy for us that way.
Our friendship definitely gives us a strong foundation. Philipp and I are on the same frequency in everything we do. Musically, we have the same ear and sensibility to music.
G—Aside from being good friends, what do you think makes you two a good fit?
CR—Our friendship definitely gives us a strong foundation. Philipp and I are on the same frequency in everything we do. Musically, we have the same ear and sensibility to music. And as performers, we really help each other out. We’re just in sync a lot.
G—Has having the addition of Antonio changed the way you perform?
CR—Antonio is a good friend of ours and a great musician, so he was a perfect fit for us. He first joined us in 2015 as a guest musician, playing harmonica. He can play a lot of different instruments though, so we added him on stage so we could perform the way we always envisioned. This year, we added a drummer for that same reason. We wanted there to be instruments and not computers. Now we feel like a live band.
G—You’ve said you weren’t expecting much from the release of your very first single, “Stolen Dance”, and it went on to reach the top of numerous charts worldwide. Do you have a different outlook this time around?
CR—I think it’s a different situation. It’s been a few years now, and we didn’t want to repeat ourselves, musically. Like any success, it’s always a guessing game. So, we don’t worry about it. We just focus on creating music we love. And if people happen to be paying attention to it, that’s great. But it isn’t our priority.
G—You are currently making your way through the Blossom world tour. How have audiences been reacting to the new songs?
CR—So far, our European and North American audiences are responding well. They’re singing along and really celebrating the music. It makes us happy to see people liking what we’re doing and wanting to come to our shows.
G—Which songs from the new album are you most excited to perform live?
CR—”Alive” is a good one. It has a special cover and production to it. We really like performing that one live. “Ego”, “Doing Good”, “Firebird”, “Peripetia”…[laughs]…honestly, we’re really having fun with all of the new stuff.
G—What can fans expect from the Blossom Tour?
CR—Four guys on stage playing handmade electronic music. We’re more dynamic. There’s some nice harmonica solos, but at the same time, we’re danceable. It’s really about sharing our music with people, which we really enjoy doing.
The meaning of Jazz Cartier’s Fleurever is rooted in duality. In the two years since his sophomore mixtape, Hotel Paranoia, the artist has had to “[battle] the balances of love and money, risks and rewards, right and wrong, or living and dying”, alongside coming to terms with the throes of wealth and fame. Subsequently Fleurever—or, as he calls it, his “third project”—explores Cartier’s personal growth in the years following. With his newfound maturity in tow, Toronto’s rising rap star is on course to start a music revolution—well, that’s the idea anyway. Georgie caught up with Cartier to talk about gratitude, the rapper’s personal transformation, and the driving force behind Fleurever. G—Can you tell us a bit about your latest album Fleurever and the inspiration behind it? JC—Most of the inspiration came from growth, and a bit from my departure from Toronto. A lot of the record was made in my last days in Toronto, and just having that cloud over my head and knowing that I’d be leaving soon—it was more so showing my affection for the city that pretty much shaped my sound. G—Did you have a vision in mind when you started writing this album? JC—For the most part Fleurever is just myself and my
When asked to describe herself in three words, Nina Nesbitt didn’t hesitate. “Introverted, creative, and driven”. While you wouldn’t guess the former from her edgy, empowering tracks—her latest single “Loyal To Me” is a girl-power anthem, rallying women to ditch their unfaithful partners—the latter two can’t be questioned. In the six years since she was discovered in an unplanned encounter with Ed Sheeran, Nesbitt has released three EPs and one full length album; toured with Sheeran, Justin Bieber, and U.K rapper Example; and carved her way into the alt-pop scene with a harmonious blend of groove and grit. Earlier this year, the Edinborough-native was one of three emerging female artists chosen to partake in Spotify’s “Louder Together” initiative, recording the first collaborative Spotify single (“Psychopath”) with Sasha Sloan and Charlotte Lawrence, and showcasing her signature style of thoughtful messages pulsating atop hook-driven melodies. With her sophomore album ready to drop, Georgie spoke with Nesbitt about her experience being thrust into the spotlight and maintaining her creative independence throughout it all. G—You’ve been touring a lot this year, specifically in North America. How have your North American audiences been receiving your shows? Is it different than performing for UK audiences?
Named for the Toronto area they grew up in, The Beaches are a far cry from a placid day on the lake. Led by singer/bassist Jordan Miller—with her sister and guitarist Kylie Miller, guitarist/keyboardist Leandra Earl and drummer Eliza Enman-McDaniel—the Canadian four-piece burst out of Toronto with their 2018 debut, Late Show, and have since built up an aura of dissident swagger. Taking home this year’s Juno for Breakthrough Group of the Year, the all-fem rock quartet is bringing grunge, gloss, and 70s glamour to a predominantly male genre. Georgie caught up with Leandra to talk about the band’s latest music video, taking charge of their music, and three simple ways to keep women in the industry. G—Did you grow up together in Toronto? LE—Yeah, I met the girls in high school. Jordan and Kylie are sisters, so they’ve known each other a bit longer, but they grew up with Eliza in Toronto’s Beaches area. G—What kind of music were you listening to at that time? LE—We grew up listening to all of the music our parents listened to. That definitely influenced us while writing our debut album since we drew from a lot of the 70’s music that our