1 / 1

Langston Francis

Jan 24/2018
INTERVIEW Emma Dora Silverstone PHOTOGRAPHY Alex Evans STYLING Amber Watkins - Judy Inc GROOMING Romy Zack

 

Using his life experiences growing up in downtown Toronto as a source of inspiration, Langston Francis is on his grind as a young artist discovering himself and the world of music around him. We caught up with Francis on the heels of his debut single release to talk about his foray into music, early influences and his direction as an artist.

G—You are still in high school. Do you find it hard to juggle your new music career with school?

Langston Francis—It’s challenging. For example, I had two exams in one day, then a show at night and I was feeling under the weather. I have school every day, so it definitely gets hard to juggle things sometimes, but it’s sort of something I just have to take in stride. I’m just so grateful for all the opportunities I have.

G—Can you tell us a little about your first single, “FCKD IT UP”?

LF—I wrote the song and beat when I was 14. At the time, the song had a certain meaning to me. We ended up finishing the song about 12 months later, after that it took on a whole new meaning. As I grow up and change and have different life experiences, music feels like it resonates with me in different ways. I don’t know if every artist feels like that, but for me, I feel like the songs grow with me. This song in particular, I feel, can fit into many different situations in my life, family or relationships.

G—Let’s talk about the video; it’s interesting how you pieced together so many different types of visuals. How did you come up with the idea?

LF—The idea for this video was not only conceptualized by me; the director of this video, Elliot Clancy Osberg, and I collaborated. When we met up initially we walked around my neighborhood talking about different visual ideas. I wanted to keep this idea of youth culture and rawness; I didn’t want it to feel polished, because that just wasn’t me. It’s just about my friends and I hanging out – we didn’t cast anybody. We wanted to capture the mood and vibe of the song.

G—Can you tell us about your musical journey and how you were discovered?

LF—The first person who picked me up and got me working on music in a more professional way was my manager, Miles Jones, who I also collaborate with on everything. He’s sort of my musical mentor/manager. I met him through a family friend at a community BBQ. He had heard I played music and we started talking. I ended up later reaching out to him on Facebook. At the time I was in the eighth grade, and we made some demos together. He eventually got it into the hands of someone at the label, and that’s how everything kind of went from there.

G—Do you play any instruments?

LF—I play the guitar and the piano and I like making beats with different machines, like synths in the studio. Basically anything I can strum I can play.

G—When did you start writing your own music?

LF—I started playing guitar at five. My dad got me a guitar for Christmas and I was just messing around. The first real song I wrote was in grade seven. Before that, I had written something [that] I showed my [current] manager so he could get to know me.

G—Who do you consider your musical influences?

LF—When I was younger and I first started getting into music, I spent almost all my time on the internet, just watching videos, and I loved looking at people covering songs, and that’s what sort of inspired me to sing. Initially, from the ages of nine to 12, I was listening to Ed Sheeran all the time nonstop, and that’s what got me into performing on the street, getting me to want to write songs, and picking up the guitar and sort of doing what I do. When I met my manager, he really introduced me to an era of music I didn’t really know about, and that’s when I got into rap, hip-hop and R&B – even just getting into old Kanye and more classic artists. So I would say my two biggest inspirations are Ed Sheeran and Kanye.

G—How do you feel living in Toronto has affected your creative process?

LF—I feel like growing up in Toronto, especially downtown, has had a major influence on me. There is a lot of talk right now about artists from Toronto that are [up-and-coming], but a lot of them are from the suburbs. I find that within Toronto, especially depending on where you grew up, like Scarborough or the East End – these suburbs – you’re going to have a different experience versus growing up in Kensington Market in downtown Toronto where I grew up.  Even within Toronto, a lot of people are starting to describe a ‘Toronto sound’, but so many different variables can affect you. Walking through a busy market, seeing the different vibe there can influence you. When I was younger, I would just walk around observing all the different architecture. I didn’t realize it then, but little things that aren’t musical at all have influenced my music.

G—You’ve recently played a string of live shows in Toronto, how would you compare this performing experience to your background in busking, playing live music on the streets?

LF—I think it’s interesting comparing the two, because when you’re on the street performing for hundreds of people at a time, you’re performing for everyone but you’re also performing for no one, because no one is there to actually see you. So I think performing on the streets is a really interesting way to get your chops up and learn how to play on stage.

G—Any plans for a full album release or any new singles coming out in 2018?

LF—As of now, we have a new single coming out hopefully in the next month or two. There are no plans for a full-length project right now, but we have tons of songs recorded, and hopefully in the next six to eight months there will be more singles released.

G—What kind of sound can we expect from these new releases?

LF—I feel like my musical direction is forward, and especially with these projects, I want to have something that’s sonically cohesive when creating this body of work. It’s definitely important to fit together in a certain way. But I try not to go into it with a premeditated idea of what it needs to sound like, and even with “FCKD IT UP”, I didn’t even think it would get radio play. So I go into just making music I like, and the coming singles, I don’t know what people will say about it. Maybe they will think it’s a different sound, but I just try to stay consistent. The important thing is that it’s genuine stuff coming straight from the heart.

The meaning of Jazz Cartier’s Fleurever is rooted in duality. In the two years since his sophomore mixtape, Hotel Paranoia, the artist has had to “[battle] the balances of love and money, risks and rewards, right and wrong, or living and dying”, alongside coming to terms with the throes of wealth and fame. Subsequently Fleurever—or, as he calls it, his “third project”—explores Cartier’s personal growth in the years following. With his newfound maturity in tow, Toronto’s rising rap star is on course to start a music revolution—well, that’s the idea anyway. Georgie caught up with Cartier to talk about gratitude, the rapper’s personal transformation, and the driving force behind Fleurever. G—Can you tell us a bit about your latest album Fleurever and the inspiration behind it? JC—Most of the inspiration came from growth, and a bit from my departure from Toronto. A lot of the record was made in my last days in Toronto, and just having that cloud over my head and knowing that I’d be leaving soon—it was more so showing my affection for the city that pretty much shaped my sound. G—Did you have a vision in mind when you started writing this album? JC—For the most part Fleurever is just myself and my

MORE

  When asked to describe herself in three words, Nina Nesbitt didn’t hesitate. “Introverted, creative, and driven”. While you wouldn’t guess the former from her edgy, empowering tracks—her latest single “Loyal To Me” is a girl-power anthem, rallying women to ditch their unfaithful partners—the latter two can’t be questioned. In the six years since she was discovered in an unplanned encounter with Ed Sheeran, Nesbitt has released three EPs and one full length album; toured with Sheeran, Justin Bieber, and U.K rapper Example; and carved her way into the alt-pop scene with a harmonious blend of groove and grit. Earlier this year, the Edinborough-native was one of three emerging female artists chosen to partake in Spotify’s “Louder Together” initiative, recording the first collaborative Spotify single (“Psychopath”) with Sasha Sloan and Charlotte Lawrence, and showcasing her signature style of thoughtful messages pulsating atop hook-driven melodies. With her sophomore album ready to drop, Georgie spoke with Nesbitt about her experience being thrust into the spotlight and maintaining her creative independence throughout it all. G—You’ve been touring a lot this year, specifically in North America. How have your North American audiences been receiving your shows? Is it different than performing for UK audiences?

MORE

The Beaches

Named for the Toronto area they grew up in, The Beaches are a far cry from a placid day on the lake. Led by singer/bassist Jordan Miller—with her sister and guitarist Kylie Miller, guitarist/keyboardist Leandra Earl and drummer Eliza Enman-McDaniel—the Canadian four-piece burst out of Toronto with their 2018 debut, Late Show, and have since built up an aura of dissident swagger. Taking home this year’s Juno for Breakthrough Group of the Year, the all-fem rock quartet is bringing grunge, gloss, and 70s glamour to a predominantly male genre. Georgie caught up with Leandra to talk about the band’s latest music video, taking charge of their music, and three simple ways to keep women in the industry. G—Did you grow up together in Toronto? LE—Yeah, I met the girls in high school. Jordan and Kylie are sisters, so they’ve known each other a bit longer, but they grew up with Eliza in Toronto’s Beaches area. G—What kind of music were you listening to at that time? LE—We grew up listening to all of the music our parents listened to. That definitely influenced us while writing our debut album since we drew from a lot of the 70’s music that our

MORE