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Grounders

Aug 21/2015
WORDS Kieran Chrysler PHOTOS Pedersen

 

 

 

With band members hailing from Calgary to Australia – and a few spots between – GROUNDERS brings in influences from all corners of the earth. While their hometowns are scattered, the quintet is now based in Toronto, where they have been cultivating their psychedelic sound for the past four and a half years.

GROUNDERS shares its name with a blindfolded playground game and an orchard term for apples that fall off the trees and become applesauce, among other things. Even though the band’s name isn’t one-of-a-kind and lacks a unified backstory, its members don’t mask their annoyance with their pop culture namesakes.

“There’s a show on Netflix – The 100 – with [characters] named Grounders, so they stole our Google things,” says Evan Lewis, GROUNDERS’ guitarist. “We used to be at the top but now the top is The 100.”

Their last EP, Wreck of a Smile, was released in 2013, and they’ve been delicately crafting their first self-titled album, which was finally released in May of this year. It took the band four years to get their LP together, but the time was well-spent.

“We’re all very critical people, for better or worse,” says Daniel Busheikin, keyboardist. “And we’re all critical about certain things. After we made this record, it ended up being a good thing that we kept pushing ourselves to make something that would constantly excite us, would impress us, that we felt really good and confident about. We wanted our first record to be a statement of our band.”

The critical nature of the band members definitely slowed the creation of their debut. However, Busheikin credits the self-criticism to their ever-present musical innovation.

“We squashed a lot of ideas and threw stuff out and we kept moving forward,” he says.

And a statement it is. Their earlier sounds are represented in the track “Bloor Street and Pressure”, which the band says is an iteration of one of their oldest songs written together. Newer sonic experiences are obviously on the album as well, but the inclusion of some of their older influences helped to keep some of the charm from their first EP, which was made at a time when they approached their music very differently.

 


GROUNDERS has a definite gritty overlay to the psychedelic, ethereal nature of the album, which was not always the vibe that the band was aiming to create with their music. In their early stages, they played with a more complex sound, complete with intricate time changes and minimal rhythm. Lewis reminisces, “When we put out our EP we didn’t have drums.” After playing these songs to audiences who had a hard time dancing to their set, they decided to finally find a drummer and simplify the music. In dropping some of their complex production styles, GROUNDERS became simpler, but also gained timelessness.

Pulling away from complexity, GROUNDERS instead created a sound that is more accessible and relatable. Stripping down their music gave it a more special quality, but not in a way that the band members can even pin down.

“I think part of what makes it interesting is that you can’t put your finger on what makes it special [with that style of production],” Busheikin says. “There definitely is something. And that’s one of the most exciting things about that production style. Just having it resonate with you for a reason that you can’t exactly lock down.”

As for the band’s goals going forward, they are keeping them simple. “[We want to] put out a record every year and do it a lot quicker,” says vocalist and guitarist Andrew Davis. “We’re going to be in Calgary for a bit and we’re gonna start there.”

What do you get when you combine the start of a worldwide tour and the release of a highly-anticipated album on the same day? Ask Lord Huron’s founder and frontman, Ben Schneider, and he’ll say a pretty damn exciting journey ahead. The band’s third album, Vide Noir, released April 20, is already receiving accolades for its raw, lyrical storytelling from songs like “Wait by the River” and “When the Night is Over”. To engage fans at a deeper level, the band plans on creating immersive experiences that elevate the album’s narratives. Lord Huron’s tour includes a stop at Toronto’s Sony Centre on July 25, and at Osheaga in Montreal on August 4. Schneider spoke to us about his love of storytelling, Raymond Chandler influences, and what it was like working with Flaming Lips’ producer David Fridmann. G—You grew up in Michigan. Is that where your interest in music began? BS—There was always music on at our house, and I remember imagining the people the songs were about. The storytelling of songs is what’s always captured me most. As time went on, I was able to convince my parents to let me play bass in the orchestra, which led to me

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