Bay Area-based hip hop artist G-Eazy – a.k.a. Gerald Earl Gillum – is riding a wave of success following the late 2015 release of his second album, When It’s Dark Out. The record spawned a hit – “Me, Myself & I” (featuring Bebe Rexha) – and an extensive world tour schedule to promote it. His rare off days have landed him in the studio, working on features for other artists, as was the case with a recent visit to Vancouver’s Warehouse Studios. “When you get a song that catches on, your phone starts blowing up.”
G—Have you enjoyed making time to get into the studio during this tour?
G-Eazy—It’s nice to get out of the routine of tour. The studio’s where I can get lost and find peace. It’s just hard to find the time.
G—How have you dealt with the new level of success you have reached recently?
GE—Nothing can prepare you for how busy it gets. It’s life-changing; but it’s not all bad. I’m about to help my mom buy a house. She’s never had that in her life. That’s one of my biggest motivators – to help take care of her.
G—I read about her being at one of your shows on the road recently. Has she been with you on this tour?
GE—She tells me what cities she wants to go to and I get her flights.
G—You’ve talked before about shutting out the outside world when you’re in the studio. How do you accomplish that?
GE—It’s just airplane mode; it puts up a block to the whole outside world. That’s the way I focus in the studio and wrap my head around the music. I don’t let anything distract or pull me away from that.
G—Your new album’s a pretty personal one. How did you build the confidence to take that approach?
GE—I had to work up the courage to not only talk about some of this stuff, but to share it with the world. I couldn’t have done that on the last album. It’s about having the right people around you to push and encourage you.
G—Who’ve those people been?
GE—My A&R, Jean Nelson, who’s also part of my management team. He did A&R on some of the most classic albums in hip-hop. He’s got a million Biggie stories; T.I., Lil Wayne, Drake, Minaj, too. He’s worked in these same situations with artists that I look up to. He pushes me in the right way.
G—I want to ask you about the G-Eazy brand. How do you balance creating a story against the media, who are gonna write their own story?
GE—I keep my personal life out of the media as much as possible. I’m not talking about who I’m dating or what I’m doing in my free time. I just go in the studio and make my music. I let that speak for me.
G—You have a BA in Music Industry Studies from Loyola University. Was the music business education that you received influential?
GE—I picked up a few things at school but it was more or less the people that I met that helped me more. I met my manager there, and I built some of my team there too. They were a bunch of kids my age who had similar goals of making it in the music business.
G—Do you think the way that you embrace life facilitated finding like-minded people?
GE—I’m big on collaboration. I’m not an extremely social person. I’m pretty quiet most of the time. But I am big on working with other people who inspire me. I think that’s what’s dope about music – it brings together people with different skill sets, backgrounds and influences to create something together.
Starley’s path to platinum status has been filled with starts and stops. After years spent trying to launch her career in her hometown of Sydney, Australia, and later in London and the United States, the popstar hopeful grew depressed. Her anxieties heightened. She was ready to quit. But before she decided to shift her focus onto her next passion – fitness – she made one final attempt at music. Telling herself that God works in mysterious ways but to remain faithful in his process, Starley penned the personal salve, “Call on Me”. The song caught the attention of Australia’s Central Station Records. Since then, everything changed for Starley. Central Station’s subsidiary, Tinted Records, released “Call on Me” as her debut single last July. Epic Records re-released the track later in October. To date, the song has peaked at number 70 on the Billboard Hot 100, and its remixed version by Aussie producer Ryan Riback has garnered over 338 million Spotify streams. Starley is currently touring North America for the first time supporting British electronic group Clean Bandit. Georgie got some time with the budding singer to talk about her mainstream ascent, dealing with mental health, and the importance of fitness
Clemens Rehbein and Philipp Dausch first met in the 11th grade, when they started performing together in a jazz quartet known as the Flown Tones. Although the band later disbanded, Rehbein and Dausch stuck together, and the pair went on to experiment with folk, reggae and electronica sound combinations. Eventually, this led to the formation of Milky Chance and the 2014 release of their debut album, Sadnessecary, which later went on to become a multi-platinum success. Now, three and a half years later, Milky Chance is ready to embark on a new adventure with the release of Blossom. The album’s first single, “Cocoon”, continues to climb the charts as the Blossom Tour makes its way across North America. Lead vocalist Rehbein spoke to Georgie about touring, writing and how being close friends with Dausch has benefited the band. G—It’s been about 3 ½ years since the release of Sadnecessary. How has your approach changed between your first and second albums? Clemens Rehbein—I wouldn’t say it’s changed in the way I write songs, but rather how we’ve developed as musicians. The songs are made of the same foundation, but they’re influenced by our experiences on the road and playing on stage. G—Was it
Jacob Sartorius’s path to fame has become an increasingly familiar story: teenaged internet sensation breaks out into mainstream pop stardom. But what sets the 14-year-old Virginian singer apart is his self-awareness and early career savvy. In 2014, Sartorius began uploading clips of himself singing and dancing to Vine. After amassing around 500,000 followers, he switched to musical.ly, where he began uploading videos of himself lip-synching to his own songs. Whereas Vine allowed him to show off his musical theatre background, musical.ly allowed him to show off even more of his lighthearted side. Musical.ly became a new way for him to promote his music and connect with his fans. Sartorius’s fan base has grown so large that he is currently touring internationally for the first time, across seven countries, in support of his debut EP, The Last Text. Georgie caught up with him by phone in London, England a day before he performed in front of 2,500 fans at the O2 Arena. In preparing for The Last Text World Tour, Sartorius has already started developing the work ethic necessary to endure major pop stardom. For 15 to 20 days leading up to the tour, he worked with his voice and movement coaches for up to ten