Actress, singer, entrepreneur and reality TV star, Christina Milian first tore up the charts in the early 2000s with songs like like “AM to PM” and “Dip it Low”. But in 2016, she wears many hats.
Today, the “mom” hat takes precedence. She’ll have to drop off her daughter Violet’s homework at school because they forgot it at home, she says, over the phone from L.A. It’s a gorgeous March day and Milian’s enjoying this brief home stint between rehearsing and shooting in Toronto for Kenny Ortega’s remake of The Rocky Horror Picture Show, in which she plays Magenta, a domestic. Ortega threw his net wide for his cast, finding performers from Britain, the U.S. and Canada.
“I guess they couldn’t find a Magenta,” says Milian. “The dancers suggested to him that he should check me out. From there, I got a phone call asking if I would even be interested – I’ve always been a fan of Rocky Horror. After that, it was just talking about getting into this character, but [Ortega] was just really free about it and creative, and I got to come right on-board and start working on it directly. It’s been fun learning my character along the way because I was really hopping from one project to the next.”
In fact, just days before flying to Toronto, she wrapped up the first season of Fox’s Grandfathered – a John Stamos sitcom in which she plays the mother of the grand-daughter Stamos just learned he had. At least that show – which she calls “super sweet and quirky” – films in Los Angeles.
So does her reality show – Christina Milian Turned Up – which, co-starring her mother and two sisters, allows for some unlikely quality family time. “It’s actually cool because it forces us to spend more time together,” says Milian. “We’re a really tight family. As women, we endure a lot and are able to overcome a lot. I think there’s that understanding we can learn through each other or be there for each other and no matter what, we care about each other.”
But Milian’s first and enduring love is music. And an era that places less emphasis on complete albums, and allows for artists to express themselves through EPs and singles at their leisure, is perfect for a renaissance woman’s schedule. Her latest EP, 4U, was released in December, and features Lil Wayne and Snoop Dogg.
“I love putting out music and it really doesn’t have to be a giant body of work. There are no rules these days,” she says. “Like, let’s express ourselves! Let’s get creative! There are too many creative people in the world. If you’re creative, you don’t want to be bored. You will do anything to give out your creative flow and eventually, if you believe it, it will become something.”
Milian more than practices what she preaches. A couple of things she believes in? Her women’s and kids’ clothing line, We Are Pop Culture, which has grown from t-shirts to full collections and a store on Melrose (“Now we’re hiring designers, I’m hiring marketing people, it’s more than three people running the company,” she says); and a wine company, Viva Diva Wines, which she bought a year and a half ago (“I’m rebranding it and I’m going to give it a whole new look and let it emulate my lifestyle a lot more.”).
But aside from a glass of Viva Diva’s Moscato, which Milian says is doing particularly well, how does one stay sane while multi-tasking at such a high level?
“Actually, it’s a lot of fun. It’s not stressful,” she says, with breezy (and convincing) conviction.
“The only thing that I stress out about is, how am I going to make sure that I balance out my time for motherhood? How am I going to make this work? Because my daughter – that time means everything to her and to us. She’s all I got. We could work really hard but we could watch time fly, you know? Tomorrow’s not promised.”
Millennials — a generation the mainstream media loves to tarnish as entitled, lazy and self-absorbed. But stereotypes like these fail to speak to the extensive research that proves millennials are driven by much more than a desire to capture the perfect selfie — in fact, on the whole, they’re well educated, civic-oriented, progressive and incredibly entrepreneurial. Look no further than 23-year old Cari Fletcher, otherwise known as FLETCHER. A self-described “power pop” artist, she represents the kind of fearlessness, unbridled ambition, self-determination and desire to change the world that has catapulted so many millennials to success. Ever since “War Paint” was included as part of Spotify’s Spotlight on 2016 list — a song she wrote and self-published online while studying at NYU — Fletcher has become a viral sensation. “War Paint” has amassed over 19 million Spotify listens to date, and the video for “Wasted Youth” — from her debut EP, Finding Fletcher — has already racked up 1.3 million views since being released in March 2017. Even more impressive than her level of notoriety is the absence of a major label to credit for her success. Instead, hard work, honesty, and an entrepreneurial approach — and irrefutable talent, of course —
Starley’s path to platinum status has been filled with starts and stops. After years spent trying to launch her career in her hometown of Sydney, Australia, and later in London and the United States, the popstar hopeful grew depressed. Her anxieties heightened. She was ready to quit. But before she decided to shift her focus onto her next passion – fitness – she made one final attempt at music. Telling herself that God works in mysterious ways but to remain faithful in his process, Starley penned the personal salve, “Call on Me”. The song caught the attention of Australia’s Central Station Records. Since then, everything changed for Starley. Central Station’s subsidiary, Tinted Records, released “Call on Me” as her debut single last July. Epic Records re-released the track later in October. To date, the song has peaked at number 70 on the Billboard Hot 100, and its remixed version by Aussie producer Ryan Riback has garnered over 338 million Spotify streams. Starley is currently touring North America for the first time supporting British electronic group Clean Bandit. Georgie got some time with the budding singer to talk about her mainstream ascent, dealing with mental health, and the importance of fitness
Clemens Rehbein and Philipp Dausch first met in the 11th grade, when they started performing together in a jazz quartet known as the Flown Tones. Although the band later disbanded, Rehbein and Dausch stuck together, and the pair went on to experiment with folk, reggae and electronica sound combinations. Eventually, this led to the formation of Milky Chance and the 2014 release of their debut album, Sadnessecary, which later went on to become a multi-platinum success. Now, three and a half years later, Milky Chance is ready to embark on a new adventure with the release of Blossom. The album’s first single, “Cocoon”, continues to climb the charts as the Blossom Tour makes its way across North America. Lead vocalist Rehbein spoke to Georgie about touring, writing and how being close friends with Dausch has benefited the band. G—It’s been about 3 ½ years since the release of Sadnecessary. How has your approach changed between your first and second albums? Clemens Rehbein—I wouldn’t say it’s changed in the way I write songs, but rather how we’ve developed as musicians. The songs are made of the same foundation, but they’re influenced by our experiences on the road and playing on stage. G—Was it