Since the introduction of The Weeknd, the world has become familiar with a new sound in R&B, one that’s fuelled by drug addictions, dark atmospheres and moody vibes – all of which have subsequently laid out the blueprint for several artists to come, including Kentucky native Bryson Tiller. What’s been understood as a niche ‘Toronto Sound’ has taken its journey across the border and into this 23-year-old’s world, spawning hits like “Exchange” and “Don’t”, and even inciting The Weeknd to jump on “Rambo” himself.
For Bryson Tiller, a high school dropout, success has come at an alarming pace. He started making music and quickly landed on Timbaland’s radar. “[He] told me to quit my job. [I] went down there and he was busy,” he says of the opportunity. “He had this artist named Tink that he was working with, and he was really focused on her, and he didn’t really have time for me and didn’t think it through. He felt bad, but you know, it just told me there’s no turning back. I had already quit my job and I worked really hard to get that job, so now I gotta keep going. I gotta keep making music and see where it goes,” he states firmly.
This game is all about the decisions you make, the people you meet and who you surround with.’ I just always kept that in my mind.
Not long after that encounter Bryson once again captured the attention of the music industry elite – OVO Sound, to be exact. While it was rumored that he had signed to the label’s imprint, Tiller ultimately settled down with RCA Records, following the advice of his manager and lawyers. “There was really nothing at RCA that made me want to sign with RCA. Obviously I wanted to sign to Drake, but I’m happy with RCA now – very happy, actually,” he says. But prior to that decision, he sat down with both Noah “40” Shebib and Drake for some words of wisdom. “[40 and I] really just talked about things sonically, and stuff like sound and music. We also talked about the things you have to do when you’re signed to a major label,” he says. “And Drake, when I first talked to him and asked him for some advice, he said this to me and I’ll never forget: ‘A lot of really talented people fall deeper and deeper into a hole based on this character… This game is all about the decisions you make, the people you meet and who you surround with.’ I just always kept that in my mind.”
Bryson admits that he never listened to Kentucky artists growing up, but rather the likes of Chris Brown and Omarion instead – with the exception of one artist. “Static Major is from Louisville, Kentucky, and he has a different way of approaching every song and harmonies and stuff like that, and I try to implement that in my music too,” he says. Static isn’t the only influence in Bryson’s music, as he goes on to say: “I really want to work with The-Dream. I wanna figure out how he’s been doing all the stuff I fell in love with. I just wanna sit down and pick his brain, like ‘Yo, how did you do this?’ He’s a dope harmonist, and I always wanted to know how to do that.”
If there’s any advice the young rising talent has, it’s to stabilize the fame and family. “Don’t get caught up in anything – not even in work. I got family back home and I can get caught up all the foolishness and ruin what I have back home, and if I get caught up in work, I can still possibly ruin what I got back home, know what I mean? I just try to keep everything balanced.”
As for the rest of the year, Tiller has two goals – create a solid album, and “chill with my daughter.”
Allie X began with a vision: of a blank slate. The multimedia electronic pop artist chose the letter “X” to signify infinite possibility – an attempt to strip herself of any pre-existing identity. Yet she feels the presence of multiple versions of herself: good ones, bad ones, and everything in between. “I think I’ve always had this self-awareness of the bad parts of myself,” she reflects. “I remember feeling as a kid like I hadn’t suffered enough, which is kind of a strange feeling. And then I remember in middle school feeling like I wasn’t being nice enough to people.” Her self-awareness has only expanded with age: “As I’ve gotten older, sometimes I just feel like I’m watching myself from somewhere else and think, ‘Who is this person?… Who am I, and is it good or bad?’” Unsure of who she is, anything does seem possible. The cover of Allie X’s latest album and full-length debut, CollXtion II, features her literally reassembling herself, slotting cubed pieces of her shin back into her leg. The visual perfectly captures what The Story of X, the name she has given the narrative that arches across all of her creative output as Allie
In her role as Valerie Brown on Riverdale, Hayley Law is one of the show’s most charismatic characters, standing confidently behind the keyboards as one fourth of Josie and the Pussycats. In real life, outside of acting, Law is a burgeoning recording artist who makes playful pop and soul-inflected music under the stage name Hayleau (pronounced Halo). In November of last year she dropped her first self-titled EP, and since then the 24-year-old, who’s based in Vancouver, has been working on her sophomore release in between filming two huge Netflix series. We spoke with Law about being Hayleau, her creative catharsis, and of coarse, Riverdale. G—You’ve had an impressive start to 2017. How has your life changed in the last year? HL—It’s changed a lot. A year ago I was working at a job that I hated, serving at a breakfast restaurant. Now I get to do something that I have been working so hard to do, every day. I’m so thankful I don’t have to do what I was doing to get to where I am now. G—Parallel to your role as Valerie on Riverdale you have a blossoming music career. Could you tell us a bit about your
Millennials — a generation the mainstream media loves to tarnish as entitled, lazy and self-absorbed. But stereotypes like these fail to speak to the extensive research that proves millennials are driven by much more than a desire to capture the perfect selfie — in fact, on the whole, they’re well educated, civic-oriented, progressive and incredibly entrepreneurial. Look no further than 23-year old Cari Fletcher, otherwise known as FLETCHER. A self-described “power pop” artist, she represents the kind of fearlessness, unbridled ambition, self-determination and desire to change the world that has catapulted so many millennials to success. Ever since “War Paint” was included as part of Spotify’s Spotlight on 2016 list — a song she wrote and self-published online while studying at NYU — Fletcher has become a viral sensation. “War Paint” has amassed over 19 million Spotify listens to date, and the video for “Wasted Youth” — from her debut EP, Finding Fletcher — has already racked up 1.3 million views since being released in March 2017. Even more impressive than her level of notoriety is the absence of a major label to credit for her success. Instead, hard work, honesty, and an entrepreneurial approach — and irrefutable talent, of course —